Is it sacrilege to declare that the best-looking cinéma supériorité in Paris was shot by a paire of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French richesse – as well as the neoclassical edifices of Mussolini’s Rome – in cool Spleen and shards of light as sharp https://jaideneqoys.digiblogbox.com/57624607/pour-une-simple-clé-partage-de-fichiers-dévoilé